Ghostwriter talks creative writing

No comments
A professional ghostwriter talks creative writing.

Don’t have the time to sit down and write this weekend? The work week got you down?

I contend that a lack of time is not the biggest obstacle to the creative temperament. The biggest obstacle is not properly feeding that imaginative urge.

Here are three things you can do that will keep the creative muscles flexed while you’re unable to write.

Ghostwriter Talks Creative Writing Tip 1: Play Hypothetical Games:

ghostwriter talks creative writing

I love this game. I call it, “What If?” I’ve been playing it since I was a teenager. Sit down in a crowded space. A cafe. An airport. A theater. Watch any person or group and create a little story about them.

What if those two are breaking up?

What if he’s just returning from a clandestine spy mission in Morocco?

What if they wrote the play?

The possibilities in this game are bounded only by your imagination. Flex those muscles. If you have to go to work or do errands instead of writing, stretch out a bit and push your boundaries.

 

Ghostwriter Talks Creative Writing Tip 2: Scenario Building

This exercise goes a bit further than the previous one. Create outlandish scenarios in everyday situations. This is an especially fun game to play with youngsters in tow.

What if the trunk of that car is full of clowns?

What if she has a parrot stashed under her jacket that’s telling her what to say?

What if that ice cream truck driver is actually an associate of James Bond? (Or Gru from Despicable Me if you’re playing with kids).

Sounds silly? It sounds silly because it is silly and that is OK.

We should never forget that, as writers, our core function is a type of play. We make up stories. And who does that better than a child at play? Watch your kid create an elaborate story line with just a toy truck at his disposal. Be like that. Be childlike.

Ghostwriter Talks Creative Writing Tip 3: Push Your Comfort Level On Judgement:

This may be difficult to stomach, but I believe a critical aspect of becoming a good writer is pushing your comfort level when it comes to judgments. You need to go a step beyond what is is easy for most.

I honed this ability over fifteen years in social work. Sometimes the scenario I encountered in the office forced me to be a tad judgmental. I had to simply say out loud, “that is not a nice person”.

I don’t think you should do it all the time and certainly not regarding people that you care about. But the rich array of characters in your story will include unseemly sorts. How best do you do that?

Be bold in your observations.

A writer needs to create realistic characters. People are disagreeable, devious and often unreliable… among a trove of other nasty traits. I don’t advocate cruelty or unfairness but when you’re crafting realistic characters, you may need to get to a level of judgment that feels uncomfortable.

That place beyond comfort is precisely what you’re looking seeking. Without it, fiction is flat.

Need more tips? Still feeling stuck? Give me a call. Together we can work out a strategy to get you back on track.

Erick MertzGhostwriter talks creative writing
KEEP READING!

Thinking like a writer

No comments

Learn to start thinking like a writer even when you can’t actually write.

Thinking like a writer - notice the details in everythingWriter’s magazines often set out to tackle what they see as the biggest elephant in the room: lack of time. How do I find enough time to get my creative work done?

I won’t attempt to tackle that topic here, or anywhere else for that matter. For one reason, any answer that I give you would not be an original. I don’t want to recycle. There are literally hundreds of blogs, magazines and books that give writers advice on how to steal 10 minutes to an hour to get some writing in.

The second and most important reason I won’t tackle the subject though, is that I believe having enough time is not the main obstacle in transitioning from unrequited desk jockey to literary provocateur.

While time is a frequent barrier, the biggest challenge most writers face is their mind set.

How do you start thinking like a writer and in turn acting like one? Here are a just few very easy techniques you can use to think and feel like a writer when you can’t write.

Listen To Dialog:

Unless you live and work in a monastery, you are surrounded by people talking. If there is a consistent area of feedback on new writing it’s this: the characters sound like they were written.

Sit down at a bar. Put down your phone in the line at the grocery store. Use your imagination in the next share holder’s meeting you are forced to attend. These are your characters.

Listen to how they talk. They’re telling you how to write them.

Describe The Scene (In Details):

I do this a lot. It sounds silly, but I walk into a room and describe the scene I encounter in various terms. Kitchen. Newly remodeled kitchen. Newly remodeled kitchen with a retro feeling.

I don’t often do this exercise aloud (unless I’m alone). If I did, I think the people in my world would assume I am much crazier than they already do but finding the myriad of ways and access points to describe an ordinary space and seeing the details contained broadens descriptive powers that every writer needs.

About Details:

Find them. Everywhere. Leave no stone unturned.

Good writing sees the surface but great writing delves deep and churns constantly. Colors. Ornaments. Textures. These create the rich tapestry that readers love.

How do you do this? What color is the tie on the man across from you? Does the woman’s coffee cup beside him show lipstick stains? What does the clerk at the store do while you search for exact change?

The power of observation is a necessary skill. Become a master of all those small things. Your readers will thank you when your bored housewife character does the little things they can relate to.

Form An Opinion:

Maybe you sit down at the end of the day and relax with a TV show. I do. Often. In many of my previous blogs, I proudly reveal TV as a major point of reference for writing and character development.

Don’t watch passively though. Instead, make comment on what works. Ask the person you’re with. What works for you? Why this and not the other thing?

Why do people gravitate to watching Glee like my wife is right now? I’ll advance a theory: it is not simply because of the songs. Form an opinion about what works in the shows, episodes and scenes you watch. That critical eye will go a long way in discerning what works on the page when you finally sit down.

Simply paying closer attention to the details in your everyday can help you start thinking like a writer. You may be reading this either because you’re at an impasse or ready to take the next step. Either way working with a professional ghostwriter can help you and your writing get to the next level.

Erick MertzThinking like a writer
KEEP READING!

Will My Book Sell?

1 comment

Will My Book Sell?

One of the constant struggles that writers find themselves embroiled in is the clash between craft and marketability. Often preliminary discussions about a manuscript, whether in the edit or ghostwriting phase, arrives at that very important question: After all of this work, will my book sell?

Any ghostwriter who pretends to have an easy answer to that question is sorely mistaken (or they’re overselling their abilities, we’ll tackle that later on). Even casual observers these days are armed with more marketing numbers and analytics than ever before, but still, we can never tell.

The element of surprise remains a strong part of the publishing game. No one knows what will hit and, consequently, no one can predict a miss either.

What I like to tell clients is that with a properly executed plan for their manuscript, we can narrow the wide range of outcomes. You wouldn’t build a house without an architect. You wouldn’t prepare a top shelf cut of meat without knowing cook temps and times.

Why would you attack your book publishing endeavor without a plan?

One of the pillars of a successful book is a properly handled manuscript. You simply cannot fool readers. Here is where the craft versus marketability argument becomes absurd.

These are not mutually exclusive. These two aspects are actually symbiotic. Attention to craft is the first and most critical element of marketability.

The second pillar I believe is defining your audience. It isn’t enough to say, my book is for “readers” or “fiction lovers”. I would go so far to say that simply targeting “fantasy” fans isn’t enough.

The book market is a buyers market and readers are savvy — very savvy. Everyone who buys off of Amazon or browses the shelves knows their search terms. Your reader knows the difference between “high fantasy” and “urban fantasy” and there is no way around this reality: you need to know it too.

The last pillar of a successful plan is to think in terms of quality and not quantity. I know a publisher out there (that will remain nameless) and they sell themselves as an all in one book publisher and marketer. How do they market their client’s books? Everyone that has worked with them tells the same story: they send out a single email blast that reaches a few hundred cold emails (and probably gets a few undeliverable kick backs too).

This never works. Never works. A few hundred cold emails is (almost) as worthless as sitting on your book. Just like readers, buyers know exactly what they want. If your dream editor isn’t taking submissions, there is no point in sending them a query email. It’s just annoying.

Similarly, if an editor is looking for “romance” and your “high fantasy” novel only peripherally involves love, don’t send them a query. You will only make them curse you.

Believe me. Go get a drink with a submissions editor and ask them their pet peeves. Blanket submissions are close to, if not the top of that list.

So to the question – Will my book sell? – to give yourself the best shot at success, have a plan. Be realistic. You’ are not the only person out there with a great book. Be the only one out there marketing their great book smartly.

Another thing you can do to increase your chances is to let a professional like me help guide you through the process. Experience counts so don’t hesitate to get in touch!

Erick MertzWill My Book Sell?
KEEP READING!

How to edit your manuscript

No comments

Or not?

Recently, I wrote a post cautioning authors against the temptation to self edit your manuscript.

Although I stand by the idea that self-editing cannot replace the well executed professional development and content edit phase, I do think that the process plays an important role in the development of a successful manuscript. While you cannot fully develop a manuscript alone, you’re also working uphill if you choose to send material in without giving it your own critical read. Development is a matter of balance.

Here are a few tips on how you can self edit your manuscript to your best advantage.

Be Wise With Time:

This advice applies to every stage of the writing process, but none more so than here. A writer has to be wise with how they use their time. You need to make time to write. You also need time away from writing.

There is an important balance at play.

If your plan is to self edit your manuscript then take time away from it. Don’t edit a chapter the day after writing it. Don’t edit it a week after. Instead, allow the work time to breathe. Stand a step back.

Then when you’re ready, jump back in and make changes.

(Don’t) Be Hard On Your Work:

What I’m trying to get at is a measure of honesty. Be honest about the work. If your gut says it works, don’t overthink it and vice-versa. Trust your gut. If it doesn’t work on the page it’s likely time to make changes.

Again, it’s all about balance. Seems like we keep coming back to that theme.

If It’s Broken (Don’t) Try And Fix It:

This can be tricky for anyone. Creative people are born problem solvers.

The hope is that a proper self-edit will lead to the identification of problems. What do you do when you find a glaring plot hole in the story?

You fix it, of course. Get in there and get it done…

Not so fast though. Being hasty can aggravate a manuscript’s underlying problems. A quick fix is often just that. A gimmick. When your reader sits down with the book, they’ll be able to see a patch job.

Just because you identify the problem doesn’t mean you see the solution. These two are not necessarily linked items. Sometimes the solution takes a substantial amount of time to develop.

Give yourself that time. It’s worth it.

And when you’re ready, get in touch. You’ll be relieved that you followed all the right steps ahead of time.

Learn more about my fiction manuscript editing services.

Erick MertzHow to edit your manuscript
KEEP READING!